Karen Stackpole: solo ~~~~~~ Vorticella: Brenda Hutchinson, Krys Bobrowski, Erin Espeland, Karen Stackpole ~~~~~~ Ghost in the House: David Michalak, Kyle Bruckman, Tom Nunn, Karen Stackpole ~~~~~~ Euphonics: Aidan McIntyre, Karen Stackpole~~~~~Remora: Erik Larson, Adam Thompson, Dimitri Luedemann, Brian Chamberlin, Karen Stackpole~~~~~~Cheryl E. Leonard's Ensemble: Cheryl E. Leonard, A.L. Dentel, Karen Stackpole~~~~~~The Bay Area Chamber Symphony~~~~~Sabbaticus Rex: Cornelius Boots, Karen Stackpole, Mark Deutsch
Influences
Bill Bruford, Pierre Favre, Max Roach, Ed Mann, Gino Robair, King Crimson, Pierre Moerlen's Gong, Evelyn Glennie, Danny Carey, Abe Cunningham, Terry Bozzio, Karlheinz Stockhausen, Steve Reich, Moe! Staiano, Morton Feldman, Arvo Part, Michael Bettine.
Karen Stackpole, Dielectric Records:
Lush, huge dynamics ranging from chiming, piercing, scraping metallic rings to the rumbling deep bass of gongs and toms to challenge any sub-woofer. Solid and subtle electro-acoustic improvisations feature over 30 percussive instruments. Overall, sonic artistry made with love and care.
- XLR8R Magazine ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Karen Stackpole (Bay Area) solo gongs:
Karen Stackpole brings an entirely different approach to 'percussion'. Her work with gongs and other metal can be both meditative and jarring.
"Gongs and resonance are the calling. Small distinct sounds (a la insect music) and use of silence and space rank high also."
- Seattle Improvised Music Festival ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Karen Stackpole's percussion is truly striking, memorable to anyone who has seen her perform: she uses very few of the elements of the traditional drum kit, instead relying heavily on a variety of "ethnic" instruments such as gongs, Tibetan prayer bowels, and Vietnamese wooden instruments ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Karen Stackpole - Metal Work, Music for Gongs:
Karen Stackpole is a local musician with an impressive collection of exotic percussion instruments. Here on this disk on the Limited Sedition label, she's focusing solely on metal gong sounds. Excellent, spacey mood music...
- KZSU ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Karen Stackpole - Metal Work, Music for Gongs:
By releasing an entire CD devoted to nothing but gong play, Stackpole asks that we journey with her to the hammered bronze alter. Metalwork just might make you join the cult. Metalwork is all of a piece. Everything moves at a stately ceremonial pace, each giant stride measured by the metals harmonic reverberations. A trove of secrets is slowly, softly revealed.
- The Wire ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Karen Stackpole is one of the foremost experimental musicians working with large metal, especially large gongs.
- High Zero Experimental Music Festival, Baltimore, MD ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Karen Stackpole
solo percussion
Metalwork: Music for Gongs (2000) leaves no mind unblown. This San Francisco-based drummer/percussionist specializes in gongs and soundscapes. In her explorations of metals, she has cultivated some special techniques for drawing harmonics out of tam tams with various implements: rubber mallets, felt and yarn mallets, ball chains, cello bow, kitchen utinsels, and other small objects. In addition to solo work, Stackpole currently performs and records with the improvising quartet Vorticella, the Left Coast Improv group, Ghost in the House, and gongs/metal duo Euphonics. Active in the San Francisco Bay Area and Los Angeles creative music scenes, she has collaborated with Gino Robair, Jack Wright, Myles Boisen, John Shiurba, Chris Heenan, Steve Roden, Rod Poole, Tucker Dulin, and John Schott among others. Given the gallery's dynamic acoustics, this is not one to miss.
- The Renaissance Society, Chicago, IL
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On probably our favorite of the first four Dielectric releases, Karen Stackpole employs an elaborate arsenal of percussion instruments: lots of gongs as well as cymbals, tibetan bowls, Thai tuned gongs, wind-up toys, music boxes, metal rods, dried bean pods and more. These are all played, rubbed, pounded, bowed, and struck to create a dense but spacious ambient soundscape of thunderous low end, rumbling ripples that wash lugubriously outward, as high-end shimmers and squeaks nestle alongside clatter and tinkle and splashes of percussive splatter. Gorgeous and thick, noisy and hypnotic, drony and transcendental, somewhere between 20th century classical, the stumbing free-rhythm workouts of No Neck Blues Band or Sunburned Hand Of The Man, and the dreamy upper register Ur-drone of Sunroof! or Vibracathedral Orchestra. So nice!
- Aquarius Records
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metal metal metal!
You should create your own MySpace Layouts like me by using nUCLEArcENTURy.COM's MySpace Profile Editor!
Hiya, thanks for being a friend - I enjoyed visiting YourSpace :-) Keep it up May your life be full of love, light and fun... hugs SOREN - Beats for change - NYERTUN
As winter hibernation and spring awakening gives way to summer, Halo Manash rises radiant into luminosity, with wings spread into all worlds, and brings forth Taiwaskivi, an opulent work of solar ambience and primordial Ur-music.
Taiwaskivi, a work of sonic flame and aural ash, consists of seven interrelated tracks, utilizing such diverse instrumentation as organ, horns, vocals, drums, gongs, percussions and various string instruments as well as field-recordings captured during the pilgrimage that the creation of the work embodies.
An air of finality abounds, as Taiwaskivi, although a complete work in itself, can also be viewed as the third and final facet of a tripartite series of works that are part of one holistic creation – a treelogy, with seed, root, trunk and finally, branches. Being the culmination of an ascending journey through the aforementioned realms within and without, Taiwaskivi is the celestial crown at the peak, reaching toward Sol, source and beyond; it is the leaves and fruit of the branches and their skybound nectar ever-flowing - the sacred fire, the consummation and conjunction of All.
Comes in a hand finished cardboard booklet. Two different editions are available; regular CD edition and CD + DVD with inserts. Both are limited to 500 copies.
Recorded: live on March 16, 2003 at the Beta Lounge in San Francisco
In 1967, San Francisco’s Fifty Foot Hose were certainly one of the
innovators of a sound that took Psychedelia to new heights and was
captured on the band’s one record, Cauldron. They are a totally
unique hybrid—on one hand pulsating bay area acid rock, on the other,
fractured electronic freakery, becoming one whole cohesive being. The
sci-fi-ish video game-like artwork hinted at the sounds within, as did
the Limelight label’s pedigree for truly progressive sounds. Band
leader, Cork Marcheschi, used homemade electronic devices to create
crude and experimental soundscapes and instrumental compositions that
were sprinkled throughout the album.
Often starting shows with a swelling rumble that exploded into the
first song, they soon developed a rabid following on the SF scene,
though there was the occasional totally wrong gig, like when a
very-pregnant Nancy had to perform at a Catholic Girls’ school! Still,
the group wowed the crowds, performing with greats like Chuck Berry and
Fairport Convention.
"A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be."-
This beautiful (yes, beautiful) album has been in the making for over a year, us Noble Brats, have worked so hard to create a perfect mirror of our essence and did everything by ourselves. From recording to mixing to mastering. and the result has exceeded even our own expectations. All the songs in this album are full of contrasts and a rockin' out exploration and critique of the different emotions that control our lives, emotions that might keep us in an unhealthy relationship even when we know it's not good for us, emotions that drive some to systematically cut into their own skin to get a sense of control over their pain, emotions that make us wonder about our place in this world. So if you feel ready to take a chance and go on a journey into the darkness of our souls, we promise you a light at the end of the tunnel, you might even see yourself in our eyes.
DIATRIBES+JOAO PEDRO VIEGA+PAULO CURADO Travessia dos Respigadores freejazz/electroacoustic improv album on TEST TUBE netlabel music under CC by-nc-nd, copy & share it, thanks
Am working on a techno remix album. Is there a song by you that I can be authorized to do a dance mix (clean) of? See Live Music Peoria for recent examples of my Str8 Techno Mix tunes for local bands (Tina Sparkle, Freudian Press, Tyson & the Friction, The Skabs). I'll need a link to a hosted online mp3 or wav file. Thanks. http://livemusicpeoria.org/
You like beer right? You might get a kick out of this Ozzy skit. Here's the new film Gabby Skab and I made last night for upcoming Pabst sales convention. The Skabs "PBR Me Right Now". http://www.youtube.com/watch?v=OGPLSnltauk
Hope you are having a great weekend! We are also on Facebook under Kaura and on Twitter at kauraband. In the meantime check out our new video blog and let us know what you think:
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