Joe Thompson- Singin, Guitar, Harmonica
Dan Kendall- Electric Guitar
Greg McMullen- Pedal Steel, Guinness
Rob Calder- Bass
Catherine Popper- Upright Bass
Ryan Vaughn- Drums, Rattles, Noise Makers
Sirab Singh- Drums where Ryan doesn't play...
Chris Cubeta- Producer, Guitar, The guy who makes this shit sound good.
Jeff Berner- Engineer, Electric Guitar, Filthy Jokes about the bathroom
Influences
Sounds Like
The Maypole on Saturday clanging in a sun-drenched school yard, abandoned but happy. You tell me what it sounds like, it's playing in your ears as you read this.
Jason Warburg of The Daily Vault Writes:
Comparisons can be a compliment or an albatross; I've certainly been conscious of that danger when comparing artists whose work I've enjoyed to iconic acts like the Beatles and Bruce Springsteen.
So it was with at least one eyebrow raised that I read where Joe Thompson's one-sheet rather audaciously suggests he sometimes sounds like Johnny Cash -- and damned if that isn't right on target. There's a depth of tone and resonance and a sense of hard-won experience on several these tracks that grants Thompson a Cash-like authority over the listener's attention. The vibrato Thompson throws in sometimes also reminds me a bit of Steven Page of the Barenaked Ladies -- not that the music sounds anything like that; it's more dirty-cheeked ..:NAMESPACE PREFIX = ST1 />Nashville than tongue-in-cheek Toronto. Thompson's genre is Americana, and that label has rarely sounded more apt than in the midst of this set of thinking-man's blue-collar country-folk'n'roll.
Opener "These Days" is a standout, featuring a great hook, punchy piano chords over acoustic rhythm guitar and a propulsive beat, with lithe electric guitar lines painting the corners. Maybe the neatest trick on this full-bodied track is that there are actually only two players on it, with co-producer and virtual one-man band Chris Cubeta handling drums, bass, electric guitar, piano and backing vocals.
The meditative, primarily acoustic "Only In The Night" offers a pleasant interlude leading into the rollicking "Another Year 'Round The Bend," a full-tilt country boogie duet between Thompson and guest vocalist Julie Foster, who's an Emmylou Harris-ish dynamo. Underneath all the fun lies a perceptive lyric about doing what you have to in order to live without regret.
Other highlights include the Man In Black-inspired honky-tonk number "Black Out Magik," the appropriately sparky jangle-rock cut "Bottle Rocket" and the dreamy, almost psychedelic alt-country ballad "Juniper Haze." (On a side note, I've just gotta ask, does Cubeta ever work with anyone who ISN'T phenomenally talented? Hmm, let's see: Thompson, the Liars Club, Danny Lanzetta, Frank Carillo... guess not.)
In one final comparison, Joe Thompson reminds me of Mark McKay, another indie Americana artist who combines excellent songwriting with a strong sense of musicality and a kind of rich, organic appeal that hits you in the gut as much as the head. The Hunting & The Hope is an excellent start down what one hopes will be a long road for Thompson.
www.dailyvault.com
Click this link for Jenna Nicholls album "Curled Up Toes in Red Mary Janes"
"Just as unhurried as it is precious and reflective. The atmosphere is serene; you’ll pick
every word that is uttered and find a world that normally goes at a million miles an hour
slow to a relaxing canter. "
i sure could use a beer with you, by God. Not a screwdriver, not decaf...a real, honest-to-God beer with one of the few real honest-to-God people I know here.
Hey Joe. We are hitting the city on wednesday, September 10th. The Cutting Room, actually. On 19 W 24th street. With CBS Records' Will Dailey. You're invited!
