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Johnny Hiland
Rock / Country / Blues

"Johnny Hiland's Official MySpace"

NASHVILLE, Tennessee
United States

Profile Views:  91331




Last Login:  8/18/2008
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   Contacting Johnny Hiland

 MySpace URL: 
  http://www.myspace.com/johnnyhiland  

   Johnny Hiland: General Info
Member Since1/14/2006
Band Websitejohnnyhilandband.com
Band Members
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PURCHASE THE JOHNNY HILAND BAND'S NEW CD "LOUD AND PROUD" VIA CDBABY!
THIS CDBABY PURCHASE IS FOR THE CD ONLY. FOR A COPY OF THE CD ALONG WITH
BEHIND THE SCENES DVD/BAND PIC ORDER FROM PayPal.
Buy Now

..Johnny Hiland Band

Johnny Hiland---Guitar and Vocals
Mike Hill---Bass
Cody Leppo---Drums
Solon Smith---Keyboards, Rhythm Guitar, Vocals

For Booking Please Contact:
Chris MacKay-
860.367.0716-
pinkysbooking@yahoo.com
www.myspace.com/pinkysbooking



johnny hiland

Johnny Hiland
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Read Johnny's Master Class Article in GuitarPlayer Magazine with Johnny Hiland (October 2006)
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Johnny Hiland

Johnny Hiland



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Click To Watch Johnny Demonstrate His Signature PRS Guitar

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JohnnyHilandBand.com
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Click to see Johnny Hiland's promotional video!
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Winter NAMM 06'





Click on the banner to check out Shubb Capos
Johnny Hiland

Johnny Hiland



Johnny Hiland Band now on Facebook

Johnny Hiland Band


Slow Blues




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Sounds LikeJohnny Hiland
Record LabelFavoured Nations
Type of LabelMajor




Johnny Hiland's Latest Blog Entry  [Subscribe to this Blog]

Writing 2007  (view more)

Performing and Teaching 2007  (view more)

JOHNNY HILAND BLAZES INTO 2007 WITH SPECIAL GUEST APPEARANCES AND PERFORMANCES  (view more)

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   About Johnny Hiland
Johnny Hiland

"I think Johnny Hiland is the most versatile guitar player I've ever heard. From Bill Monroe to Eddie Van Halen, he can play it all." - RICKY SKAGGS If you tried, you couldn't make up a story this good: legally blind kid grows up in a trailer home in rural Maine. A guitar prodigy, he tours with the family band starting at age 8, wins local and regional competitions, moves to Nashville, ends up dropping jaws all over town, doing sessions with Ricky Skaggs, Toby Keith, Randy Travis, Janie Fricke and many more, and gets signed by Steve Vai when his manager leaves a demo snippet on Steve's voicemail box. But indeed, this is true the story of Johnny Hiland, who will make his solo debut on August 10 with his self-titled album on Vai's Favored Nations label. Hiland, who was born with nystagmus, a condition of involuntary eye movement, grew up in Woodland, Maine and was known as the "blind boy." According to Johnny, "my dad was determined to not hold me back from anything I wanted to do. He had been a dirt bike racer when he was younger, so I had all kinds of bicycles and snowmobiles and a little Suzuki JR50 that I rode. My mom was worried sick, but Dad would say, 'Look, just don't kill yourself. And those kids who say you'll never drive a truck? Baloney. We live on a woods road, we've got a '74 SuperCab, so let's get in and go for a ride.' And he let me drive. I had a ball, but Mom just about had a fit." She was more supportive of Johnny's fascination with music. Talent ran in the family, but it ran away with Johnny. From the start he felt a ferocious devotion to his instrument, often practicing on it for long hours into the night before being ordered into bed. By the time he was eight years old he was playing well enough to join the Three Js, his family's band. Under the auspices of the Down East Country Music Association, a regional group dedicated to promoting bluegrass and traditional American music, they began going on tours throughout New England, sometimes playing out of town every weekend of any given month. It didn't take long for the group, and especially its prodigious guitarist, to kindle interest. "There was a year when I won DECMA's Instrumentalist of the Year for guitar, banjo, mandolin, and fiddle," Johnny says. "Then my sister and brothers and I won Entertainers of the Year. I won Male Vocalist of the Year, my sister won Female Vocalist of the Year ... We cleaned house. Then we got a plaque for Family of the Year; Mom and Dad were like, 'Goodness gracious, we get an award too? All right!'" Two years after joining the Three Js Johnny made his first national splash by winning the Talent America contest, for which he was awarded a performance in New York City. Around that same time his parents took him to hear a Ricky Skaggs concert in Bangor; the experience stimulated him to start exploring beyond bluegrass into mainstream country music. His curiosity whetted, his technique sharpening, Johnny stretched his horizons in high school and started listening to an ever widening range of players: Doc Watson, Joe Satriani, Eric Johnson, Eddie Van Halen... Yet even with all this attention his parents made sure to keep him from being swept away by too much adulation coming too quickly. He learned to be prudent with the money he earned through music, budgeting to pay for his own new strings and supplies. And he kept up his grades in school, which led to his election as president of its National Honor Society during his senior year and eventually to his admission as a history major at the University of Southern Maine "Was I going to make something of my life?..." It took a while for Johnny to realize what should have been obvious from the get-go: Though his head had no trouble digesting the academics, his heart was somewhere else -- specifically, wherever the nearest guitar happened to be. "For me, going to college was nothing but practicing the guitar," he states. "Ever since I was seven years old I'd been saying that I wanted to go to Nashville and play on the Grand Ole Opry someday, but my mom and dad always insisted that I have something to fall back on. So I really went only to please my mom and dad." Fate intruded after a few years, as the cassette versions of his textbooks failed to arrive in the mail until just a week before finals. Racing the clock, Johnny had been squinting at normal textbooks until the eyestrain triggered migraines. He worked as long as he could on a huge term paper. Then he reached a point where he couldn't do any more; his guitars, stored in their hard-shell cases under his bed, seemed to be calling him away from the computer. That's when Johnny knew that things had to change. Drawing a deep breath, he stopped his work, erased the whole project, picked up his axe, and started to play. "That was my defining moment," he says. "I love my mom and dad so much, but I had to ask whether this was about them or about me. Was I going to be Mr. Blind Boy, relying on his parents, or stand on my own two feet and make something of my life?" The next morning he gave notice to the school. Chuck McGinty, his outreach counselor from the state, tried to dissuade him; Johnny invited him back to his room, played for him, and within minutes McGinty was on the phone to Johnny's parents, announcing that he was fronting the money to buy their son his ticket out of town. Flying to Orlando, Johnny hooked up with a friend and former bandmate. Together they drove up to Nashville, determined to chase their dreams. On his first night Johnny made his way to Lower Broadway, where a cluster of honky-tonks booked some of the hottest players in town. Wandering into the World-Famous Turf, told he'd have to wait until midnight to sit in with the band, Johnny sat patiently, and then took to the stage. It took only a few seconds for the bartender to pick up the phone and start spreading the word that a tornado, with a Telecaster in his hands, had just blown into town. It was 1996, the beginning of Johnny's residency World-Famous Turf. When an actual tornado flattened the Turf in '98, he transferred to Robert's Western Wear with Don Kelly's band, where his friendly demeanor and sizzling licks dazzled listeners and sent guitarists running for cover. Calls started to come in for session work. He played, as he had always known he would, at the Ryman Auditorium, home of the Opry, with Gary Chapman. Through his manager Mac Wilson he scored an opportunity to play for Bruce Boland, vice president of Fender Musical Instruments; a few days later he was invited to become the first unsigned artist to receive a full endorsement deal from the company. "I was ready to start absolutely new..." The last piece in this puzzle would be Johnny's first album -- but unlike the other successes in his life, Johnny Hiland took a while, thanks to the two complex, sometimes frustrating, and ultimately uplifting relationships that became its foundation. The first was with Steve Vai, one of Johnny's guitar idols. Wilson impulsively left an excerpt from one of Johnny's rough studio tapes on Vai's voicemail; almost immediately Vai called back with an offer to sign with his Favored Nations label. That didn't take long, but the two years that followed exposed Johnny to a different pace, one that involved working on his songwriting, sending ideas back to Vai, getting feedback that was consistently positive yet kept pushing Johnny further toward finding a writing style that was as personal as his playing had been for years. "Steve is the greatest rock guitarist," Johnny says, "so I listened to everything he said. But I started to get impatient. For two solid years I kept waiting to hear him say, 'Hey, great song, kid!' I hit the studio day after day, trying to find that voice he was looking for." Then one day, he got it. "'Truth Hurts' turned the corner," he says. "I'd always written these country kickers or Satriani rock stuff. But this one was a ballad. I had eight bars of a cool melody. I'd written the chord arrangement. I thought about every detail as I was putting it together in the studio. And once Steve heard it and said 'that's it,' I knew I had thrown the old basketball away -- I'd flattened it, put my foot through it -- and gotten a whole new ball rolling. My attitude changed too. I knew that everything I had done to get to this point was in the past; I was ready to start absolutely new, with all I'd learned." That's when the second critical relationship behind Johnny Hiland came into the picture. One night Peter Collins, whose production credits include Rush, Bon Jovi, the Indigo Girls, Queensryche, Jewel, and LeAnn Rimes, wandered into Robert's, heard Johnny tear it up, and made it known at once that he wanted to produce the young guitarist's debut. Their collaboration would be volatile -- "I fought him tooth and nail sometimes," Johnny admits -- but more often it was a matter of each finding inspiration from the other. "I love Peter like I love my own dad," he says. "He's brilliant, larger than life. Once we got to know each other the sessions were like clockwork." It took a killer band to keep up with Hiland's energy and ideas, which explains the presence of Billy Sheehan, the "Eddie Van Halen" of the bass, Bill Holloman, who played keys and sax behind Hiland's main guitar hero, the late Danny Gatton, and drummer Pat Torpey from Mr. Big. This is a lineup that can keep up with Hiland's light-speed picking on "G-Wiz," "Swingin' Strings," and "Celtic Country." It can move with him through Western swing, screaming, razor-toned rock, and introspective ballads, and illuminate his soaring melodies on ballads like "Song for Helen" and "Truth Hurts" with sensitive empathy. In other words, Johnny Hiland achieves something few new artists achieve in their first outing: a blend of taste and flash, in which emotional, solid composition and hair-raising performance complement rather than compete with each other. Life for Hiland is, in a sense, like the accelerando he unleashes in his cover of "Orange Blossom Special." He's playing bigger sessions than ever; look for him on upcoming albums by Randy Travis, Toby Keith, Ricky Skaggs, Lynn Anderson, Janie Fricke, Rebecca Lynn Howard, and other headliners. He's appearing on two tribute albums, to Phish and Dave Matthews. He's shared the stage with Living Colour's Vernon Reed, funk master George Clinton, and Vai, Satriani, and Ynvgie Malmsteen on their G3 tour, each time more than holding his own. He's cut "Blues Newburg" and "Red Label," two devilishly difficult Danny Gatton songs, both of which he learned note-for-note in eight hours; each version is available for download through Line 6. Nashville Predators hockey games now feature the team theme song, "Stick It To 'Em Boys," written and performed by Hiland. He's even scored and played on the soundtrack for a proposed cartoon show, based -- not coincidentally -- on the adventures of a country band at Robert's Western Wear. Kids figure in Johnny's ambitions beyond music; a talented amateur artist, he's putting a coloring book together designed to give hope to disabled children. So, it's true that you could never make up a story as good as Johnny Hiland's - nobody would believe you. And perhaps, more important, you could never make up a person as kind, warm-hearted, determined and talented as Johnny Hiland.  





Buy Johnny's Intructional Books From Mel Bay Here


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Read Johnny's Article in Musicians Hotline
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Click Here Check out Johnny's July 10th appearance on the Low Down Hoe Down Radio Show live from Bowling Green Kentucky hosted by Greg Martin




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House Of Blues Hollywood
(Paul Gilbert, Johnny Hiland, Joe Satriani, Steve Lukather and Steve Vai) Johnny Hiland




Johnny Hiland



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Johnny Hiland has 6141 friends.
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Johnny Hiland's Friends Comments
Displaying 49 of 1117 comments  ( View All | Add Comment )
marcos santana





Aug 20 2008 2:31 AM

thankd for tha add, Johnny
U r an awsome guitar player!!, wow
one of my favorites now!!
God bless u
Brazilian greetings
MS
ecto gamut





Aug 19 2008 10:19 PM

Hey Johnny thanks for adding me! You KICK ASS BRO!!
TOMMY GRIFFITH





Aug 19 2008 9:38 PM

THANK YOU FOR BEING A FRIEND AND I HOPE YOU ENJOY THE MUSIC. VISIT OFTEN AND ANYTIME.

TOMMY
Steve E. Smith





Aug 19 2008 7:42 PM

Yo Johnny, we met at Namm 07 at the PRS Party. Rock On Man. Thanks for the Add. I'm honoured to be in your list. All the best from Germany, Steve E.
I Am A Rolling Stone





Aug 19 2008 3:24 PM

Thanks for the add. Awesome sound.
Miki





Aug 19 2008 6:41 AM

Thanks for the add Johnny!
All the best!
Cheers!
Spirit DoG





Aug 19 2008 4:57 AM

Thanks for the add! Peace and love from Spirit DoG!
Shepp


Is Online


Aug 19 2008 3:18 AM

hey man...good seein ya in nashville at NAMM...hope to see you again next year...taker easy
Matt





Aug 19 2008 2:18 AM

Hi Johnny, Thanks for the add! Your Guitar style, dynamics, and speed are incredible! truly an inspiration! Hope all is well, and keep on rockin' -Matt
Ed





Aug 19 2008 12:56 AM

Hey Johnny, Really looking forward to seeing you play at the folk festival coming up in Bangor Maine. Hope to meet you after one of the shows. You are AWESOME is all I can say.
Steve Cunningham


Is Online


Aug 18 2008 11:08 PM

Hey Johnny, enjoyed playing with you at AIM last week...you tore it up!
Scott Lewis





Aug 18 2008 10:22 PM

Hey Johnny!
Tell my buddy Tim Teague...I said hi...if you should run into him in Nashville!
You are truly a living Legend!
Keep Rockin brother.
The Foxx City Band





Aug 18 2008 9:42 PM

Johnny,
I really enjoyed hearing u & the guys this weekend @ Galaxy music in atlanta 4 the peavy clinic.My name is Van Shiver & I appreciate the info about publishing my own songs.You were a big help,thanx.
S Graffix





Aug 18 2008 8:47 PM

Hello!
Welcome to S Graffix!
If I can ever be of service to you, feel free to let me know!
Stop in to visit anytime!!!
S Graffix





Aug 18 2008 8:47 PM

Hello!
Welcome to S Graffix!
If I can ever be of service to you, feel free to let me know!
Stop in to visit anytime!!!
Louise du Toit





Aug 15 2008 10:57 AM

Hello Johnny, how are you?
I wish you a fabulous weekend!
Peace, love, happiness
Louise
Hardware - Fusion Tribute to Jimi Hendrix


Is Online


Aug 15 2008 8:45 AM

Hi Johnny,
Stoppin' by to say hello.
Peace&Love
Hardware
Brian Bridenthal Music





Aug 13 2008 4:50 PM

Hey Johnny, your music is the VERY best country pickin I have heard in many years. I see you have played with George Bellas. He is a great talent and a childhood jamming buddy and friend of mine.

Best, Brian B
John Goodsall





Aug 11 2008 8:39 AM

Hey Johnny I can't get enough of that chicken pickin.
Have an awesome week - goods
Louise du Toit





Aug 10 2008 11:07 AM

Hello Johnny, how are you? Wishing you a great week!
Peace, love & happiness
Louise
Rob Lloyd





Aug 9 2008 12:36 PM

Hey Johnny, Have a FAB weekend - LOVE your music! Best wishes from CORNWALL, UK.
Paul Saxby





Aug 8 2008 10:51 AM

Hey there, Johnny Hiland!! thank you again for the friendship! if you get a chance please check out my 2 new tracks if you havent already! I would love to hear whatcha think :)

Peace and love

Paul
Goldie





Aug 6 2008 5:47 PM

Hello Dear Johnny.
How are you ,My Kind Friend?
I hope all is well,with you.
You have brought joy to me,
with you wonderful songs,
and all your great talent.
I thank-you for your friendship.
Have a wonderful week.
All the best to you,My Friend!
Luv Miss Goldie..
ludo jean





Aug 6 2008 3:00 PM

Hi Johnny , how are you ? I like your playing , have a great week
Lee Peterson





Aug 6 2008 8:41 AM

Thanks for the add.

Great guitar work.
THE JESTERS





Jul 31 2008 3:35 PM

We love Johnny Hiland (uh,..........in a purely platonic way of course!),rock on,THE JESTERS
Louise du Toit





Jul 28 2008 2:40 PM

Hello Johnny, how are you? Wishing you a great week!
Peace, love & happiness
Louise
EJ Enigma





Jul 27 2008 11:48 AM

Hello! Thanks for the add! Good to see you here on my page! Hope you like my music.

My debut album 'In The Beginning' released last year can be downloaded at itunes. More sites to follow soon.

Also, keep an eye out for the upcoming album 'Dreamland (The Second Saga)', due to be released later this year!

Peace to you

EJ Enigma
Rob Lloyd





Jul 27 2008 8:48 AM

Hi Johnny, It is an absolute honour to be a friend of yours! Totally blown away by your guitar style! Best wishes from CORNWALL, UK.