Projects include:
BLARVUSTER -- Blarvuster is the ensemble dedicated performing Welch's music. Members include: Leah Paul - flutes / Max Mandel - viola / Mary Halvorson - electric guitar / Matt Hough - electric guitar / Emily Manzo - piano / Ian Riggs - electric bass / Joe Bergen - percussion / Tomas Fujiwara.......................................
New Release on Tzadik..............
Ikue Mori's Bhima Swarga---Bhima Swarga is a fascinating film project from one of the most creative electronic musicians around. Delightfully animating traditional paintings from the Kertha Gosa temple ceiling in Bali, Mori depicts the journey of the soul from hell to heaven in two versions: one scored using her signature laptop electronics and one scored by Matt Welch, featuring a full gamelan ensemble augmented by Ikue's electronics and Welch on saxophone and percussion. A spectacular audiovisual presentation for all ages.........
Personnel:
Ikue Mori: Electronics/
Gamelan Dharma Swara:
Matthew Welch/
Lela Chapman/
Tomoko Deguchi/
Eric Hung/
Travis Jiorle/
Putu Bagus Khrisna Saptanyana/
Elizabeth Leininger/
Andrew McGraw/
Willa Roberts/
Christopher Romero/
I Nyoman Saptanyana/
............New Release............
Rusted Breath Quiet Hands (Muud Records)......
Welch-alto sax/Craig Colorusso - el. guitar.............
ambient improvised lyrical minimalism
The music of Matthew Welch (b.1976) stems from a remarkably multi-faceted foundation. Matthew holds two university degrees in Experimental Music Composition, a BFA from Simon Fraser University (1999), and an MA form Wesleyan University (2001), studying with noted composers such as Barry Truax, Rodney Sharman, Alvin Lucier and Anthony Braxton. His compositions range from traditional-like bagpipe tunes to electronic pieces, improvisation strategies and fully notated works for solo instruments, chamber ensembles and orchestra. He has also taken part in a number of compositional collaborations with Indonesian Gamelan composer-performers in Bali and Java, performed in free improvisation contexts with numerable New York City improvisors, and played with art rockers in the Brooklyn underground. As a virtuoso of the Highland Bagpipe, he studied traditional music with Gold Medalist masters such as Colin MacLellan, Jack Lee, Angus MacLellan and Andrew Wright. Matthew also was a member of the four - time World Champion Simon Fraser University Pipe Band, winning with them in 1999 and 2001. As an ambassador for the instrument, Matthew has premiered a number of new compositions written for bagpipes by contemporary composers. This involvement with a more diverse musical context has led him into an expansion of his instrumental array to include alternative bagpipe configurations, accordion and various saxophones. Indonesian Gamelan percussion music, both Javanese and more recently, Balinese, have been another focus of Matthew's, which he has pursued throughout his academic career, with the New York Indonesian Consulate gamelans, and in Bali. Matthew appears on Anthony Braxton's 10 [Solo Bagpipe] Compositions, 2000, and a few compact discs of his own music, Ceol Nua (Leo 336, 2002) highlighting orchestral and chamber works, Hag at the Churn (Newsonic 33, 2003), a collection of electronic concoctions and Dream Tigers (on John Zorn's Tzadik Records' Composer Series 8015, 2005) a program of ecstatic chamber music featuring his critically acclaimed string quartet, Siubhal Turnlar. His compositions for Balinese Gamelan Semara Dana are featured in his multi-media collaboration with Ikue Mori known as Bhima Swarga (Tzadik DVD edition 3007, 2007). The eclectic breadth of his interests in Celtic music, gamelan, minimalism, improvisation and rock also converge in compositional amalgams for his New York based ensemble, Blarvuster.
......"The Brooklyn-based composer leaps vast geographical distances, imagining statistically implausible musical melting pots that sound utterly natural...a composer possessed of both rich imagination and the skill to bring his fancies to life" - TimeOut NY
"some serious bagpipe wizardry...as far as I can tell, Matt Welch must be the Eddie Van Halen of the bagpipes." - Pop Matters
1) Audiomachie (6:21) 2) Une ombre vacille en serpentin virevoltant (6:58) 3) Bruissement de griserie (9:55) 4) Propensity to go forward (7:36) 5) Drawing of a Back with a Mouth (4:24) 6) Second Life (3:50)
(39:12)
- The project was about trying to explore different poetry styles, always with different instrumentations and musical structures because I don't want to repeat a single one - An album not directly linked to the four previous ones, but with the impossible to avoid come back to fetish themes - Second Life is about the technological phenomena, but I got better things to do with my life than spending it on the clone of a capitalist society - We might as well hope for a real bankrupcy for all of us, it would be worth it to kill capitalism
Most of you will just want to listen to the music made available. Well, here it is with great streaming (right after MA VIE est ICI which is a reminder of my previous album conclusion) http://www.freakywaves.com
